Posted by Cian Cruise on September 25th, 2015
My laptop’s charging in the AC stand and my cell phone’s daisy chained to the USB port, both hungry for power after a week of labour. A BBQ pork steamed bao works its way down my gullet. People mill about the airport, wandering from gate to gate, towing children or luggage or time. I just said goodbye to Guadalupe and Luciana, who’re heading back to Van city for the Live Biennale. The other artists have already left, their homes spread across the wide expanse of this nation. My flight’s in an hour or so. All of a sudden the festival’s over, I can feel it in my bones.
Posted by Cian Cruise on September 24th, 2015
In a room in a building in Edmonton, Luciana D’Annunciação sits perfectly still: amidst a tight-knit crowd, on the floor, with her speaker; breathing, she begins, drawing us in through the darkness; no shoes, and no socks — for this is an intimate affair. That’s the first word I wrote down in my notes: “Intimate.” The speaker lounges on its side, the cord bunches in relaxed coils, and Luciana is there, embedded in the sound. And so are we. Three benches pulled away from the wall sit near the centre of the room, barely a metre from the action. There are no wallflowers in this dance. Everyone is close, huddled on benches, stooped over Luciana, listening to her breath tug through the space.
Posted by Cian Cruise on September 20th, 2015
In a room in a building in Edmonton, Luciana D’Anunciação dances, struts, stretches, and snaps; taps, grinds, pitters, and pats; lolls, breathes, and reaches — but never quite releases; with a microphone and a cord and a speaker. The Sound Between is an improvisational performance stripped down to such an extent it is almost plundered. There is no room for superfluity here, because the elements of sound and noise married to movement and play are wells of perpetual replenishment fecund enough to easily overwhelm. (more…)
Posted by Sara CS on September 14th, 2015
Photo credit: unknown
We’ve all heard it: the uncomfortable buzz of feedback at a concert or speaking engagement. Yet have you ever wondered if feedback is not just a noise, but a relationship? What does it expose about the give and take between our bodies, each other, and the room around us? Armed with a mic and amp, artist Luciana D’Anunciação explores this and more in her work at Visualeyez 2015.