Posted by Adam on December 29th, 2016
At last year’s Visualeyez festival, the students of University of Alberta professor Natalie Loveless’s Fall 2016 seminar course “Ephemerality and Sustainability in Contemporary Art” (ArtH 456/556) responded to performances at the festival.
Montreal-based artist Christine Brault describes her practice as interdisciplinary and performance based research art creation. Utilizing relational aesthetics via site-specific interventions that rely on people, environments and contexts Brault seeks to “create an intercultural dialogue” through her own performative language which has developed through ongoing poetic and political research. Anchoring itself to Brault’s engaged and feminist practice in facing social inequities and aberrations of today’s world, she uses this language to evoke ritual related relationships to earth, human beings, their languages and transformations.
As I entered Latitude 53 Brault greeted me with a warm handshake and a “hello.” She explained to me loosely what her performance, Let Me Wash This Off Your Hands was going to be: she was simply going to wash people’s hands. We agreed to have a chat after the performance and left Latitude 53 to head to her location, a few short blocks away at Beaver Hills House Park or Amiskwaskahegan on 105th Street and Jasper Avenue. Amiskwaciy or Beaver Hills is Cree for the rolling upland region in Central Alberta, just east of Edmonton; Amiskwaskahegan or Beaver Hills Park is home to The Aboriginal Walk of Honour, and exists as a kind of oasis—the only green space along that section of Jasper Avenue. As Brault describes her work as site-specific and reliant on context, the placement of this piece is no accident and is in fact very important to how the content of this work is read.