Latitude 53 presents Visualeyez 2017, the seventeenth edition of Canada's annual festival of performance art, from September 26–October 1, exploring the theme of awkwardness

Day 4 Morning – Why Measure?

Posted by Irene Loughlin on September 19th, 2014

we the audience

‘We, the Audience…”  Photo: Jack Bawden

Day Four has been somewhat chaotic even though, or maybe because, the subject of our morning talk was ‘measuring’.  The conversation swirled around Orlan’s early work, the work of Jin me Yoon, the topographical, the grid, menstruating as a way that the body measures, the difficulty of finding time for studio practice if you have children, work etc., creating in small measurements of time, time and its pressures on women, measuring one’s own visibility as one ages as a woman (Pam Patterson, Nayeon Tang, Ester Scott MacKay, Irene Loughlin).  Gavin talked about some bizarre historical practices of measuring race in South Africa, and that measurement has been used as a tool for fixing supremacy.  He observed that fixed measurements cut away the bleeding, the mess, the questioning and the provocations in life and art.  Money and acquisitions have long been used as a methodology to measure worth.  In performance, Todd mentioned measuring durational works as a necessity to give an indication of ‘where you are’ in the performance, and a less metered approach to measuring that includes assessing the impact of a work while you are in it and taking the temperature of the room. In Todd’s ‘furtive’ (under-discovered) practice, a qualitative reading is often located in his journal writing after the fact, as there is often a great degree of subtlety during the work, and no physical documentation is taken as fixed evidence. For Todd, there must be a measure of interchange in the work between performance artist and viewer, although the viewer may not always be aware that they are implicated in the piece.  Soufia mentioned measuring time organically, particularly in the preparatory period before a performance, where it takes approximately 20 minutes for her mind to settle in solitude apart from the audience/viewer.  Gavin related the strategy of measuring through breathe which allows for a greater diversity of measurement (as 20 breathes can mean many things to many people).  The opposite might be found in a strictly metered approach to measuring by counting, a method which is often used in dance training.  Very interesting conversations, which I’m sure will play out over the next few days.

Sneak Preview

Posted by Irene Loughlin on September 17th, 2014

photo

The Visualeyez table Images by Irene Loughlin

Incredible! The sun and heat.  I should have left my winter coat at home!  This morning after being pummelled in an early morning session of deep tissue work (and when they say that in Edmonton, they mean business)  I wove down 106th St wondering what would happen today to amaze me.  Visualeyez participants met for the first time around a table at Latitude 53 over mid-morning breakfast, thanks to Robyn O’Brien (Latitude Admin Coordinator) the self-described ‘creepy ghost making toast’!   We were also joined by Latitude 53 creatives Karen, Emily and Olivia.

The artists spoke on some of the predicted themes of Visualeyez in relation to movement. Naeyon Yang beautifully articulated her thoughts on scent, which will play a central role in her upcoming work.  There is no certain archive in which to hold scent; she therefore proposed that we consider memory as an anchor, a metaphorical container which addresses the problem of scent’s temporality.   Todd Janes recounted crossing paths with a coyote last night on his way back from the airport with Naeyon, and reflected on the panicked responses to coyote sightings and the urge to enclose wildlife via environmental colonization and urban sprawl.  I posed the question of intentional space in performance and how choosing space affects the artist’s movement in their work.

photo-2

                                               Adam Waldron-Blain and Soufia Bensaid location scouting   

In the afternoon, we scouted for locations and Adam spoke with a reporter about the festival.  Soufia Bensaid continued to familiarize herself today with the city of Edmonton. I received a cryptic text message at 8:30 pm to join her at Latitude 53 at 9 pm, where I found her sitting quietly on a bench in the front patio area.   Awkwardly crossing the barely discernible line between public space and performative space, I sat down beside her and assumed her meditative pose.   Todd Janes and Gavin Krastin noisily drove up and stumbled out of the van, yet Soufia’s concentration remained unbroken.  They were also compelled to sit with her.  I thought about Soufia’s different way of hearing, and her contributions regarding experiences of the auditory as we sat with her in silence. Earlier in the day I had noticed how some abrupt sounds made her jump while other sounds were barely discernible to her.  I heard people come and go, the traffic, an ambulance.

photo

                                                                                                                                           Soufia Bensaid 

Soufia eventually handed us flashing LED lights and led us in a walk.  Waiting for us to catch up with her near the Days In, she did not hear a car pull up behind her waiting to turn into the parking lot.  She held her ground peacefully and made eye contact with the driver, much like the coyote Todd encountered in his headlights an evening earlier. The driver became impatient and irritated while she stood unmoving and we stopped and started, negotiating the awkward and invisible boundary in the hierarchy of driver/pedestrian.

Screen Shot 2014-09-17 at 12.59.01 AM

Edmonton or Venice.. 

Soufia’s walk revealed a romanticism about Edmonton I didn’t know existed – historic buildings reflected in the water, people dancing by the water fountain.  I felt confused as I walked around the edge of the fountain.  Later we confronted traffic at a busy intersection, singing childhood songs, and screaming as loud as we could, our voices lost in the acceleration of the vehicles.

photo-3                               Observing oncoming traffic (l to r) Todd Janes, Soufia Bensaid, Gavin Krastin 

Welcome to Visualeyez!

Posted by Irene Loughlin on September 16th, 2014

I arrived in Edmonton last night, armed with iPad, laptop and phone, happy to be the Visualeyez blogger and eager to begin documenting the cultural life of the city.  Here is my first victim.

common edmonton hare

the common Edmonton hare

If you find a solitary baby hare in Edmonton, do not pick it up.  If you do, you are a KIDNAPPER. (more…)